Saoirse Killion

                 @saoirse_killion_artist




Best Friends, 2024. Oil on canvas, 30 x 20 in.

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Joey’s Hands, 2024. Ink and charcoal on paper, 24 x 18 in.

H, A, & X Dressed Up, 2025. Oil and acrylic on canvas, 60 x 60 in.



I read somewhere scholars of Sapphic art have likened the ellipses to the 
clitoris … I don’t know why that struck me as so vulgar considering all the 
phallic imagery I’ve been prodded to recognize in men’s literature. 

My paintings are extended ellipses, the moments and memories 
in-between the margins of the printed page and the gauzy peripherals of 
my vision. Caring hands with busted bones, soft fingers with oily black 
nails, puffs of hair mistaken for smoke. The way I touch, touch off, or 
touch hearts with my paintbrush pays homage to the invisible yet loud 
murmur of Sapphic literature. 

Falling into obscurity, buried deep under layers of greasy peat and 
patriarchy, unearthed by curious hands … I wake like a vulture hungry with
the knowledge of breakfast, picking at memories whether rotten, 
preserved, or fresh. My paintings are slowly waking up too. I don’t think 
sleeping in my pink-laced and purple-painted childhood bedroom will 
nurture my self-sufficiency. But maybe I’ve let myself be coddled, and it 
doesn’t even really matter where I sleep …